Recently launched, GOOD magazine’s reworked (and relocated) interactive component raises the bar on everything a website should be. Three reasons GOOD.is is one of the best sites on the web today:
Elegant, intuitive and innovative: GOOD.is surprises the user with its familiar interface and infinitely flexible layout. Bold graphics and photography contrast with the subdued tones of the site itself. If you’ve ever picked up the magazine, you’ll immediately notice that they did a fantastic job of translating that same look and feel onto the web. WordPress has rarely looked this good.
All this snazzy design is really just a beautiful (albeit extremely usable) container for the loads of awesome media and content that gets pumped onto the site. One of things I like most is that the user experience is rewarding whether or not you’re a magazine subscriber, and it does more than just pressure you to become a subscriber. Even the advertising is tasteful, relevant and unobtrusive.
Go to GOOD.is. Click “Choose GOOD”. Then select the amount of money you’d like to pay for a subscription to their excellent magazine (from $1 to $1,000). Now, GOOD will give 100% of that money to the participating sponsor of your choice. The simplicity of the idea is simultaneously baffling and inspiring. This is what web can should do. Earn the eyes… then do some good!
This is Lola. She’s the newest member of the Bryant clan and we adopted her through Ring Dog Rescue here in Richmond. If you’re considering getting a pup—I’d definitely recommend checking these guys out.
Hard to believe it’s been a year since you called
your last family reunion. The one at the hospital.
Pretending to be a tough guy.
Eating pizza and shooting pool and trying hard
not to remember that you were dying. Then you did.
The long, blurry line of black cars and black suits and old uncles.
We carried you down from the Baptist church and wore dark sunglasses
And tried to be like you. Tried to be men.
When we got home, no one would sit in your chair. It was too soon.
Football in the swampy yard with saw-horse end zones and broken hearts.
I know you’re up there fishing that no-limit river
Where the mountains rub against the sky.
And I know you’ve got Red and Gary to help with the boat,
But sometimes I wish I could sit with you awhile, again
Just to watch the lines.
This past Monday, I started a new position with Journey Group, Inc. in Charlottesville, Virginia. I’m looking forward to gaining a deeper understanding of print design & the process behind high-quality production. Journey has some really terrific clients including the United States Postal Service and World Vision magazine.
For the time being, I’ll be commuting over an hour each way, so we’ll be looking to move in the not-too-distant future. Good thing gas is so cheap and houses are selling like hot cakes…
This afternoon I had the great pleasure of listening to a living legend: the incorrigible Massimo Vignelli. He spoke at the Grace Street Theater in Richmond on his life and practice, most prominently the iconic work of Vignelli Associates.
I came away refreshed and newly inspired. He discussed his usual fare: long-term clients, limited typefaces, working on the grid, expansive range and the pursuit of timelessness. Something he knows a thing or two about.
“I see graphic design as the organization of information that is semantically correct, syntactically consistent and pragmatically understandable. I like it to be visually powerful, intellectually elegant, and above all timeless.”
Massimo Vignelli (1931…)