Agrarian designer from Virginia
I was recently asked to transcribe a series of essays published last year into a single manuscript. The result is available for free download (subject to Creative Commons protections).
Lettering assignment for Story Matters magazine. Ashley Rose Walton, Art Director.
(Issue 2, 2019)
A reimagining of the seal and flag of the Commonwealth of Virginia.
This past weekend, I had the privilege of participating in the first workshop offered by Umbau School’s new Studio Shenandoah in Staunton, Virginia. Umbau, which means something like transformation zone, is a school of studios—or places of focused study.
Whenever feasible, I’m an advocate of value-based pricing in creative work and particularly digital work. Having tracked and billed hours for many years, I understand the model and that it’s sometimes appropriate, but I think the future is fixed.
Herein lies the paradox: if our ego can convince us that the pain of bearing hard things isn’t worth the strength that comes from it, we will never be excellent. We will be comfortable and mediocre.
Smartphones come out of the box in full-on casino mode. They are pre-programmed to do everything they can to trigger your inner Neanderthal screen junkie. But it need not be so.
I would suggest that Charlottesville doesn’t have a housing problem, so much as we have an imagination problem. (And, frankly, a smidgen of obstinate utopianism.) What if we let the city do what successful cities tend to do? Higher property values and higher property taxes. I wonder what we could do with all that extra cash?
To design is to make decisions for others. Because this involves an exchange of power, however slight,
design is best understood as a moral pursuit.
I. Wherein we define our terms
II. Design that is honest about its intentions
III. Design that is honest about its production